Slate on Sebald’s A Place in the Country.
Whenever I read the work of the late German writer W.G. Sebald, I get distracted here and there by a preoccupation with the fact that he worked for most of his life as an academic. Probably this is because I’ve spent many of my years in a similar environment, and I often wonder about the formative pressures this has exerted, over time, on my own writing and thinking. His relationship with the academy was not that of the standard contemporary writer, who is typically housed within the disciplinary annex of “creative writing” and who does not concern himself with the business of academia per se. Sebald, although he did also teach creative writing, was a full-blown scholar, a company man of long standing who lectured in the department of German literature at the University of East Anglia from 1970 until his death in 2001. In ways that are both subtle and pronounced, this shows through in his writing — in his essays and novels (which he preferred to call his “prose narratives”).